Thursday, December 30, 2010
Little Star- Children's Lit.
Wednesday, December 29, 2010
Alive: The Story of the Andes Survivors
Friday, October 15, 2010
Don't Die Little Blog!
Thursday, August 19, 2010
A Pure Clear Light
Saturday, July 31, 2010
Disgrace
Tuesday, July 27, 2010
Finishing Possession
Saturday, July 24, 2010
Possession by A.S. Byatt
Boy. This is one of those tough reviews to write because there is just too much and not enough to say, all at the same time. I've played with words in my head but it's hard to not have the whole review just be thirty different ways to say "this is a great book." Those kind of glowing, vague, hyperbole-laden reviews are uninteresting and unhelpful, but with a book like "Possession" its hard to go beyond that without going over the 20 page mark. But a blog must be written, so - with the clear caveat that this is certainly a book that must be read to be appreciated, and with full apologies that this review is bound to be general, effusive, and glowingly unclear - here it goes.
"Possession" is a stunning book. It is a bit wordy, very British, a little rambling, a tad over-intellectual...but perfect in all those "flaws," and probably because of them. I will not bother with any sort of plot summary, as it could never be done justice. The book's plots (it has several plots that run parallel to one another) are those kind of plots that seem unremarkable and even dull when they are simply rehashed...there are no car chases (though, almost), no flaming nights of passion (though, almost), no shipwrecks (though, again, almost...this is actually getting kind of weird); they are literary plots, internal, subtle - but brilliant, and alive, and character-driven in the best possible way. They are the kind of plots that carry you along not with a hook and jerk, but with the steady and irresistible pull of the human heart toward truth and understanding.
The author - who, if I ever met her, I would not be able to think of thing to say to out of sheer intimidation - pulls off such a feat of writing, storytelling and character development that it nearly drives this aspiring writer to despair. She writes in numerous voices, styles and eras and pulls it all off absolutely convincingly. And her thematic content is profound, delicate, intangible...but she gets it across, both her questions and her answers, with the closest thing to true clarity that one could hope for.
This is the kind of book that resonates in your mind and quiet places, the kind that lives in the back of your thoughts on the days you are reading it and, I'm sure, intends to stay there long after. It says so much about love, and life, and identity and possession (the title is very apt), so much about our limits and how we can strive for something beautiful despite them. It has romance, tragedy, resolution, despair, redemption...but it is all done quietly, with great care, and it leaves behind both quiet golden places of peace and hard, unequivocal stones of sadness.
This is just the worst, most unsatisfying review. It is already too long, and yet it says almost nothing. Sigh.
I'll take a couple more stabs. Reading this book - and I've only read a few books I'd say this about - was very much an experience. The slow unfolding of the story, the living and breathing and losing and loving of the characters, the stumble toward truth and understanding...it was something felt as a reader, something almost lived through, rather than merely observed and noted. It is a true, bleeding slice of the human experience, in all its failures. It does not take, I think, a hopeful view of people, or even of love (again, reference the title); there is, arguably, not a single functional, healthy relationship in the book. But there is truth in that dark view, and even human hope in the constant struggle for something better. We are all broken, in our own ways, the author seems to say...but just calling something broken implies that there is such a thing as "whole," and that therefore we can find redemption, perhaps, in seeking that wholeness together. We may fail...but there is the trying. An excerpt, from near the end, that sums this up well (and gives a taste of the author's power of language): "In the morning, the whole world had a strange new smell. It was the smell of the aftermath, a green smell, a smell of shredded leaves and oozing resin, of crushed wood and splashed sap, a tart smell, which bore some relation to the smell of bitten apples. It was the smell of death and destruction and it smelled fresh and lively and hopeful."
Will everyone like this book? No. Some will yawn and think it boring. Some will actually hate it, I'm sure. Its heavy and thick and has absolutely no gunpowder. It is not for a Da Vinci Code reader (and I don't mean that to be critical...any reading is good reading). But for lovers of literature, this is the book...both because it IS literature, and because it deals so much with literature as a topic and a passion and a human expression. This book is about how we define ourselves, our world, and each other. It is a book for thoughtful grown-ups.
I have far too many books to read, whole shelves full of books waiting for my attention...but as much as I hate to say it, "Possession" might be one I have to take the time to read again.
Possession- up to Pg. 360
Thursday, July 22, 2010
The Truth About Horses, Friends, & My Life as a Coward
Monday, July 19, 2010
Good Omens by Neil Gaiman and Terry Pratchett
I picked this book up for an inauspicious reason: I wasn't interested in it, and didn't care if I ruined it. I was heading into the mountains for a backpacking trip and wanted a book that was light, small, paperback, and expendable. "Good Omens," by Neil Gaiman and Terry Pratchett, was the perfect candidate; it was lent to me years ago by a now-disgraced and reviled ex-boyfriend of my sister-in-law...I would be perfectly happy using it as toilet paper if the need arose (and on a backpacking trip, it just might).
It is a happy surprise that the book turned out to be one of the more fun, entertaining, original and clever stories I've read in quite some time.
The authors are both famous in their own right (Neil Gaiman as a fantasy/comic book/modern myth writer - including Newbery Award winner "The Graveyard Book," which I've already reviewed - and Terry Pratchett as a Science Fiction author) who wrote this book collaboratively on somewhat of a whim. As they explain in the lengthy afterword, it was written before email, so they would literally talk on the phone, take turns writing the next few passages, and then send the manuscript back and forth to each other in the mail...pretty remarkable. What they miraculously came up with has turned into something of a cult favorite and commercially/critically successful modern classic of sorts.
The premise, boiled clumsily down, goes something like this: the Angel who originally guarded the Garden of Eden (Aziraphale) and the demon who tempted Eve (Crowley) have lived on Earth among men ever since, casually doing their respective evil and good duties; they've developed, over the thousands of years, two things: a friendly camaraderie and mutual appreciation, and a grudging love for the planet and us flawed beings who live here. So when they discover that the Antichrist has been born and Armageddon is approaching, they decide to band together to derail the plans and save the world so they can continue to enjoy it. Its a fun premise, and it is executed perfectly. The book is a rollicking, irreverent, non-stop comedic adventure full of wit, hilarity, memorable characters, and a surprising amount of heart and sensitivity. Although it drips with satire and sarcasm, the book has a beating heart; it is actually, in its amusing and charming way, quite thought-provoking, articulate and intelligent in the questions it raises about morality, ethics, religion, and humanity.
It was, in short, a great read, and one I'd enthusiastically recommend. In one fell swoop it upgraded that erstwhile ex-boyfriend from "useless ass, best forgotten" to "useless ass, best forgotten, who once lent me a pretty great book."
I'm keeping the book.
Wednesday, July 14, 2010
Possession by A.S. Byatt : 200 Pages In
Since this is one that we are all reading, I thought it might be good for us to share some impressions and reflections as we go along. This post...written as I reach the 200 page mark...is an effort in that direction. Some of you may not be as far as I am yet (or all you all already done?), so I'll be sure to avoid any "spoilers" or detailed plot points.
Now...if you haven't started yet, don't get put off by how I begin this review; it will seem to start negative, but I promise it ends well.
As I began this book and worked through the first 30-50 pages, I began to remember exactly why I don't generally like contemporary British fiction. In my experience, it seems to be overly wordy, unconscionably lengthy, and intolerably loaded with obscure references and allusions. This book, in the beginning, was no exception. Byatt's guiding premise seemed to be, "why say something with 100 words when I could use 1,000?" He packed references to classical literature and art in cheek-to-jowl, and I found myself sighing and eyeing the clock as I read. Honestly, that first 30 pages felt like they could've been accomplished in under 10.
That being said...I'm very glad I soldiered on. I soon found myself utterly absorbed in the two parallel plots (one contemporary, one historical) and their gradual coming together, and was also surprisingly taken with and interested in the four main characters (Roland, Maud, Christabel, and Randolph Ash). I was also, considering my biases, increasingly impressed with the author's skill in weaving the four characters and two plots together so convincingly and compellingly together, and in his ability to make a fairly sedate and cerebral plot seem so vibrant and intriguing. In short, I got hooked. Between pages 50 and 200 "Possession" transformed from a book that was a bit of a chore to read to one that I didn't want to put down.
So, well done, A.S. Byatt. You got me. I'll deal with the extraneously detailed descriptions in order to uncover the plot, and I'll fight through the deluge of archaic allusions to spend more time with those characters. I'm really and truly looking forward to the next 350 pages.
The Missing: Book 1 Found by Margaret Peterson Haddix
This book is another children's novel, and again is a nominee for this year's Sasquatch (kid's choice) Award.
"Found" is the first book in a new series...and its an attention-grabber, to be sure. The book opens with a passenger jet arriving unscheduled in the middle of the night at an airport; there is no pilot, no record of the flight, no crew - and the only living things on the plane are babies, one to each seat.
It's a good opener, and the book continued to hold my interest from there. The pacing is good, the tension and forward plot momentum is sustained, and the characters are believable and realistic. Kids who are confident readers will not want to put this book down, and it also scores points for being one of those rare gems that will appeal equally to boy and girl readers. I don't want to give too much away, but suffice it to say that this book falls into the "X-files" genre of fantasy/science fiction: the truth is out there and, yes, it does involve both time travel, sinister clandestine organizations, and a government conspiracy. Its good, gripping, page-turning writing.
My only fault with the book would be its length; although 314 pages is not over the top, it's really the fact that the length is just gratuitous. There seemed to be a lot of unnecessary filler and details in the book that could/should have been edited out. It almost seemed like the author or publisher just wanted a fat-looking book, and padded the story accordingly. I think this book could have weighed in at a more kid-friendly 250 pages and been even more brisk and captivating.
That's just personal preference, though; at the end of the day, this was a book that I really enjoyed reading, and one that I know my students will enjoy reading as well. Now it's just a matter of waiting for Book 2...
Thursday, July 8, 2010
New Contributor
Wednesday, June 30, 2010
42 Miles- Children's Lit
Tuesday, June 29, 2010
The Graveyard Book, by Neil Gaiman
"The Graveyard Book" is yet another children's book, albeit an acclaimed one; it was the somewhat controversial winner of the 2008 Newbery Medal. The controversy stems from its darkness and gloom (certainly hinted at by its title); indeed, though I am not a roses-and-kittens kind of guy, I was a little taken aback by its darkness at first as well. The opening scene is the knife-murder of the protagonist's entire family as they sleep. I'm happy to say that that is as overtly violent as the book gets, and the book won me over quickly with its warm characterizations, novel concept, solid writing, and quick-paced, keeps-you-guessing plot.
The protagonist (who's real name we never actually discover) is the lone survivor of his family's murder when he's only two years old; he toddles innocently from the bloody house and wanders into a graveyard. The ghosts who inhabit the graveyard take him in, protect him from his bloody-knifed pursuer, and give him a name: Nobody Owens (the "Owens" part comes from the kindly old ghost couple who agree to act as his parents). He goes by Bod for short, and he is raised quite happily by the departed and deceased in the walled, overgrown, mostly forgotten English graveyard. Its a great concept, and Neil Gaiman (truly a master storyteller - he also wrote the creepy children's novel "Coraline," recently made into a 3D movie) develops the characters, plot and setting with great skill and affection. There's a lot more plot to it - mostly dealing with Bod's education and his quest to discover the truth about (and exact vengeance for) his family's murder - but it really is the concept and memorable cast of characters that carry this commendable read. Its a page-turner that I've been meaning to read since it came out, and I'm very glad I did. I can't wait to press it into the hands of mature readers, and I'll do so with confidence that they'll thank me later. Frankly I'm surprised that the committee selected it for the gold medal, though I do feel that it deserves it. It was a bold pick, quite a bit "out of the box," and I think they made the right choice. It's one I'll be thinking about for quite awhile, and one that I may even have to pick up down the road and read again.
Maya Running by Anjali Banerjee
"Maya Running" is another youth book, though not in this year's Sasquatch list. I picked it up at a writer's conference I was attending because the author was there doing a book signing.
The book is a quick read; it concerns mostly the struggles of growing up as a cultural minority (in this case, as an Indian immigrant in Canada), but has a mythical plot as well. The protagonist is an adolescent girl struggling with finding herself and her place stuck between two cultures; its typical adolescent stuff (boys, friends, body image, parents, identity), but Anjali Banejee handles it with deft sensitivity and humor. The voice of the protagonist (also the narrator) is believable and real, and her struggles and perspectives seem very authentic and true-to-life. The mythical plot is, strangely, almost an afterthought: the girl wishes for a new self, basically, and is granted that wish by a statue of the Hindu god Ganesh. That plot - which is introduced late in the book, and wrapped up rather quickly - has a standard, rather unremarkable "be careful what you wish for" message and isn't terribly compelling. It isn't a book I would recommend as required reading (or required purchasing for school libraries), but it is well written and fits comfortably in the adolescent, coming-of-age genre of youth literature. Girls struggling with identity - especially those also dealing with a culture clash - will certainly identify with the narrator and enjoy seeing "their" story convincingly related. It's "good-not-great," but the right reader would be sure to love it.
Leepike Ridge- Children's Lit
Monday, June 28, 2010
Shadow Country by Peter Matthiessen
This book is the real reason its been so long since I've added to this blog. This book is loooooong...even longer than its page count(892) indicates...but, in the end, probably worth the read. Let me elaborate.
"Shadow Country" is actually one story, split into three separate books, then combined in one volume. Sound confusing? Its actually this book's confusing development and path to its current state that got me interested enough to pick it up, as a writer and a reader. Peter Matthiessen originally wrote what is now "Shadow Country" as one gigantic tome. It is historical fiction, set in the wild Everglades frontier of Florida at the turn of the century, and details the death and life (in that order) of a fictional pioneer/planter/outlaw/murderer E.J. Watson. Publishers passed on it due its length (despite the fact that Mr. Matthiessen is a two-time National Book Award Finalist), and he was finally persuaded to break the story into three separate books, to be published individually. He rewrote it as three books, they were published, and they enjoyed critical and commercial acclaim...but the author never felt good about it (this, by the way, is all explained in the introduction). So, recently, he rewrote it AGAIN, from start to finish, to restore it as one cohesive book, a little shorter than the original (from 1500 pages to 900). "Shadow Country" is the result of all that work, and it also has received plenty of acclaim. So...that's how the book got to where it is...but how does it read?
Well, at about the 500 page mark, I was prepared to pan it. It is just so long, and so dark (I mean dark...its chief themes and plot points all deal with murder, racism, rape, violence, deception, poverty and viciousness), that I found it exhausting and burdensome to battle through, no matter the clear and undeniable quality of the writing. But, then, I hit the last third or quarter of the book, and I was hooked. Hooked like rarely I've ever been. It transformed from a book that I had to force myself to pick up (I am a fast reader, and this book took me more than two months...I normally would have read 8-10 books in that time) to a book I could not put down.
Why the hook? A very brief plot summary might explain. The story begins with the death/murder of the main character, E.J. Watson, by a group of his neighbors. The first third of the book (which was once, remember, its own book entirely) details the immediate events leading up to that traumatic event, told from the various perspectives of about a dozen people who were involved. This constant changing of perspective and voice, with occasional backwards movements in time or jumping ahead, would normally alienate me, but Matthiessen pulled it off. You're still left unclear on Watson and his murder...was he a misunderstood hero, or a bloody murderer? Was his death a necessary act of justice, or a case of cold-blooded vigilante lynching? The second third of the books is all from one perspective, that of Watson's son; he digs around, investigates, interviews, trying to piece together the truth of his father's life and death; really, he is seeking to vindicate his father, but the information that he finds is murky and troubling and unclear (this middle third, by the way, was the least interesting and compelling and was where I really started to fall off the boat). The last third, though, is told from the perspective of Watson himself, going back to his earliest childhood. Page by page, year by year, event by event, we see what really happened. Slowly, the truth in all its complexity and ugliness, is revealed to us. And, all along, you know that you are hurtling toward that last climactic scene where Watson, who is now our narrator, gets gunned down...and all along you (or at least I was) are dying to finally see that event through his eyes, to understand what really happened. And...it doesn't disappoint. I've rarely been so sucked into a story - especially one I'd grown disenchanted with. I just had to know the truth behind the violent event that had started the story over 800 dark pages previous.
Its quite a work, "Shadow Country." Would I recommend it to all readers? No. To most readers? Probably not. To readers who love dark fiction, and historical sagas, and biographical character studies...you betcha. But I wouldn't read it all at once...I'd read something light and breezy between each third. Dave Barry, maybe. But...if it's your kind of thing, and you stick with it, "Shadow Country" does not disappoint.
First Light by Rebecca Stead
I'm on a roll!
"First Light" is a children's novel so it may not be the most appropriate book to blog about here, but since I'm trying to alternate between reading adult and youth books (and since a couple of the readers here are also children's librarians), I thought I may as well include my thoughts on this one.
"First Light" is a contemporary fantasy book (and one of 2011's Sasquatch nominees, hence me reading it) set in Greenland. The best brief summary of the plot is also the best brief criticism of the plot: "First Light" is "City of Ember" on ice. I mean, really. I won't summarize "City of Ember" (a great children's book), but those who've read that will see the similarities in "First Light:" a young boy and girl live in a secret, hidden society that lives underground; the society retreated there years before to escape external dangers; resources are running out, and the children are convinced that there is a way out to world outside after finding a mysterious map and clues; the adults are stuck in fear and the status quo and forbid exploration; the children go anyway, discover the outside world, and save their civilization. That is an exact summary of BOTH books...but "City of Ember" did it first, and did it better. The only real differences are that "First Light" happens under Greenland's glacial ice sheets, and that in "First Light" there is a parallel plot happening above ground as a boy (doing field research with his glaciologist father) simultaneously discovers the outside entrance to the buried civilization.
Now, "First Light" isn't bad; it has some compelling aspects and is not badly written. It just loses points on originality. It's overly long (327 pages) and takes too long to get to the meat of the story, but once you're there it moves along pretty well. The characters are believable enough and the setting is intriguing, but it will not be a good choice for reluctant readers because of its slow pace, length, and slightly bland writing.
I don't regret reading "First Light" and I don't quibble with it being on the Sasquatch list, but in future years when a kid comes to me looking for a cool, realistic fantasy, I'll put "City of Ember" in their hands every time over this one.
The Glass Castle by Jeannette Walls
Finally! I'm back in the saddle! I actually finished this book like in April but I haven't written it up for two reasons: 1. TIME! 2. I wasn't sure just what to say about it, or how to say it. Well, now that I've got the time I'll just have to stop worrying about getting it right and focus instead on just getting it done!
In short: this is a GREAT book!
"The Glass Castle" is a memoir of the author's childhood, but it is so much more. Her parents are eccentric to say the least...the are artistic, paranoid, possibly mentally ill and quirky to a truly dysfunctional level. Her father, Rex, is a troubled genius of sorts who also battles raging alcoholism. Her mother is a frustrated and bitter individual with dreams of being a famous writer and brilliant artist, but can't seem to make either work out. The childhood of the author and her siblings is one spent in vagabond poverty, moving from apartment to RV to the homes of relatives, and living frequently in the family's parade of battered cars. Her parents, unwilling or unable to keep and hold a job, have a hands-off approach to parenting (the kids cook for themselves from age 3, run wild through whatever town they happen to live in, play freely with guns and local perverts, and are encouraged to run outside and play during lightning storms) that runs the gamut from amusing to neglectful to outright abuse.
The story is told through a rapid-fire series of short (1-4 page) vignettes; its not a style of storytelling I usually like, but it really works in this one. The passages were short and self-contained but still held an overall flow and momentum that kept me turning the pages long after I should have turned out the light (I finished the book, during a busy time in my life, in one day and two nights).
What's so compelling, though, is the balance and perspective the author manages to find in her approach to such a personal and important aspect of her life; her parents are, quite honestly, fairly worthless as parents: the children are often in danger and are almost constantly "neglected" based on contemporary definitions. However, there is never any doubt in the author's or reader's mind that the parents, in their flawed way, love their children incredibly. It is a palpable and sincere feeling that fairly pulses from the page. Likewise, there is never any doubt that children, even when they are grown, love their parents fiercely, no matter the abuse and neglect. The author is honest and unblinking and pulls no punches: she shows with complete frankness the neglect she dealt with and the pain and suffering that her parents mindlessly inflicted on her...but she never drops down into bitterness, or condemnation, or petulant victimhood. She does not let them off the hook, but neither does she demonize them. They were flawed, like we all are, but she loves them in spite of it.
It is a fascinating examination of our understandings of such profound and integral concepts as family, love, neglect, caring and understanding. It is a book which would make any thoughtful reader think, and feel. The characters - real people, all - are round and complex and living, and making up your mind about how you feel about them is one of the toughest and most delicious challenges of this book. Bluntly sensitive and tragically beautiful, "The Glass Castle" is a perfectly written book.
Since reading this book I've pressed it into the hands of four or five people, and all of them loved it - not just liked, but loved. Its a book that sticks with you. I could not recommend this book enough.
Friday, June 25, 2010
The Girl with the Dragon Tattoo
Wednesday, June 16, 2010
Madame Bovary
Saturday, May 22, 2010
Amy's offerings for group consideration
Winner of the 1990 Booker Prize--the U.K.'s highest literary award--Possession is a gripping and compulsively readable novel. A.S. Byatt exquisitely renders a setting rich in detail and texture. Her lush imagery weaves together the dual worlds that appear throughout the novel--the worlds of the mind and the senses, of male and female, of darkness and light, of truth and imagination--into an enchanted and unforgettable tale of love and intrigue. --Lisa Whipple
My thoughts- Sounds fascinating and multi-layered. Yummy!
Second title for consideration:
The Mysteries of Udolpho by Ann Radcliffe
From Amazon: (professional review)
With The Mysteries of Udolpho, Ann Radcliffe raised the Gothic romance to a new level and inspired a long line of imitators. Portraying her heroine's inner life, creating a thick atmosphere of fear, and providing a gripping plot that continues to thrill readers today, The Mysteries of Udolpho is the story of orphan Emily St. Aubert, who finds herself separated from the man she loves and confined within the medieval castle of her aunt's new husband, Montoni. Inside the castle, she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors that threaten to overwhelm her.
This new edition includes an introduction that discusses the publication and early reception of the novel, the genre of Gothic romance, and Radcliffe's use of history, exotic settings, the supernatural, and poetry.
My thoughts- Sounds intriguing and slightly sinister.
Friday, April 23, 2010
Catch-22 Complete!
Wednesday, April 7, 2010
The Axemaker's Gift by James Burke
"The Axemaker's Gift" by James Burke and Robert Ornstein is an impressive and ambitious nonfiction examination of technology and its effects on humanity, from the pre-historic development of stone axes to our modern computer age. The authors' thesis - that technology is a mixed blessing that has at every step fundamentally changed the way we interact with each other and the world - is examined and backed up with an exhaustive (and, yes, at times exhausting) history of western civilization. It is definitely very informative and insightful and I learned tons, but it was a bit dry and trying. It's a worthy read, though; the connections and explanations the authors give are well-reasoned, and I have a much better grasp of the development of western civilization (from egalitarian hunter-gatherer bands with a close connection to themselves and the earth) through the medieval ages and to the modern era, where the gaps in knowledge and resources between the haves and have-nots is ever-widening, our connection to the earth and each other is increasingly splintered, and the impact of technology and development on our health, happiness and habitat is becoming ever more clear and dubious. Should everyone read this tome? Probably not. Am I glad I did? Sure. I think anyone with a keen interest in history and/or technology would appreciate it, but its probably not a great choice for the casual peruser.
Although appreciative of the authors' considerable effort and noble aim, I finish the book (at last) very eager to read something that feels a little more like recreation and a little less like college homework.
Wednesday, March 24, 2010
Catch-22 Not Done
Friday, February 26, 2010
The $64 Tomato
And while I'll admit that The $64 Tomato isn't "classic literature", this one is a gardeners classic, sure to please. Mr. Alexander shares his tale of a decade long quest for the perfect kitchen garden, with all of the good, bad and ugly in between. Not only was I nodding my head at the naive garden dreams, miscalculations and mishaps, but I laughed out loud at the Clark Griswold like fantasies, the Caddyshack-like zeal for rodent eradication, and tales of the neighbor's gigantic yard phallus. It was a winner from start to finish. It's the perfect book for a gardener ready for spring planting!
Mr. Alexander has a new book coming out in a few months, 52 Loaves. I can't wait.
Monday, February 22, 2010
Uncle Tom's Cabin-Part I
During my high school years, Uncle Tom’s Cabin remained on the list of approved classics that English teachers gave out at the beginning of the year. Since that time, there has been local controversy over the appropriateness of the subject matter. I’m not sure where it stands on our school corporations reading list now, but if I had to hazard a guess, I’m betting it isn’t there anymore. But the controversy was enough to put Uncle Tom’s Cabin on my radar and finally decided to give it a go.
Although I’ve been reading it for a few weeks now, I’m only a third of the way through it. What can I say? It’s not a book that I enjoy. In fact, I’ve had difficulty sleeping on the nights when I’ve read it right before bed. Obviously, with two black daughters, reading about blacks being treated as less than human is uncomfortable. Reading hateful derogatory remarks makes me squirm. I’ve even cried a few times after reading about this cruelty or that punishment. But then, those are all things I expected from the book.
What I did not expect, and what I find just as disturbing as the issue of slavery, is the commentary on the Christian church, then and now. There are several references to southern preachers preaching the acceptance of slavery.
For those of us that go, we often head to church on Sunday under the premise that our pastor is there to guide us in following the path of Jesus Christ. We turn a blind eye to the political nature of the church, and accept as fact all of the moral judgments our kindly pastor, with his superior understanding of the Word, has to offer.
And yet. . . .Here is a clear example, certain proof, that even the Bible can be manipulated to support the political ideology of the times. I don’t think anyone, outside of the KKK or Neo-Nazi groups, would agree that Christians have a right to own another human being, but church leaders of that time supported, tolerated, or encouraged the practice. It leaves me wondering what morals we’ve gleaned from our own church that will be considered political propaganda a hundred years from now.
At the very least, I’m left with a need to look more closely at the political agenda at our church or any church for that matter. And that just doesn’t feel very good. It has taken something that has seemed so good and replaced it with doubt and misgivings.
I will finish the book. I might even change my mind about it. But I’m not sure about the timetable. It’s an emotionally difficult read for me.